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The two were constantly at odds, and Bjelland played out their feud with a knowing eye in the video for BiT’s Bruise Violet single, which featured a coterie of Bjelland doppelgangers in “kinderwhore” drag. Among them was the artist Cindy Sherman, whose photographs would provide unforgettable cover art for two of the band’s albums.
Some dismissed the Love-Bjelland feud as petty grrrl stuff – or worse: reduced it to a boner-worthy cat fight, mostly because they were too witless to appreciate the queer and complex power dynamics at work in such intense female relationships.